Product of Good Parenting |
What was it like, The New Yorker? What was Louis Menand
like? I hardly know. I doubt I had a better notion then. It’s as if I were led,
blindfolded, on that tour. I have one memory, a glimpse into a small office space. It was empty, but showed signs of occupancy. Which famous writer worker there? I don’t have the faintest idea.
Maybe it was a plebe’s office. Who the heck knows? As for Louis Menand – I have
only the recollection of the sensation of being with a person. I wouldn’t
recognize him now, and frankly, I wouldn’t have recognized him a week
after that tour. I don’t know that I ever looked him in the face. He was with me – beside, ahead, behind? – the way any
authority figure was throughout my childhood, a shape or a bulk of anonymous
but indisputable existence with which I could expect no real interaction. Like a coat rack draped in an overcoat. Certainly not like person with whom I could (ought to) communicate as an equal.
Looking back, I see the whole thing as a failure of imagination, not of courage. I wasn’t nervous.
I was simply unable to consider my proximity to Louis Menand and that tour as opportunities for career advancement. It’s possible I stood on a point of
honor: I didn’t want to be like everyone else he toured around The New Yorker
on his mother’s request and then ASK something of him, career-related. It’s
possible. And stupid. More likely, though, my muteness sprang from seeing
him as an authority figure, and seeing myself – or not seeing myself at all.
So why was he an authority figure? And why was I – a child?
This where I indulge in a little parent bashing. I don’t
really like to do it, because, now that I am one, I understand that parents are
mere humans, full of insecurities and fatal flaws that can obscure our good
intentions. Nevertheless, I have to say that some responsibility for the stupid
lack of imagination I showed then lay with my parents. For who else but they
were supposed to teach me how to see my possibilities? I came across this bit
by none other than Martha Stewart, in which she says the best thing anyone ever
taught her was that she could do anything she put her mind to – and the person
who taught her that? Her dad. She says, “I think it really often is up to the parents to
help build confidence in their children. It is a very necessary part of growing
up.”* (Then she applies another layer of decoupage to the birdcage she's making out of strips of six thousand thread count Egyptian cotton sheets for her gazebo.)
Now, Martha's run the gamut from model to mogul to jailbird and back. Whatever you may fault her for, you can't fault her for lack of imagination for where she could be and what she could do.
It never even occurred to me that my tour with Louis Menand
could be anything other than that, a tour. I never for an instant considered
myself equal to anyone working there. Even though there were people my age,
people from my high school class, working there around that time, I just felt
different from Those People. They were on some other existential plane. So that’s the bottom line.
I left Louis Menand and The New Yorker, and I returned to my stultifying data entry job and
my novel in progress, and never followed up. If Louis Menand noticed I didn’t
write him a thank-you note, I hope he didn’t tell his mother. It never occurred
to me, not because I was rude. I wasn’t. I was raised to write thank-yous. I had a supply of cards with my name printed on them for this purpose. No, I
didn’t think of writing him because I didn’t imagine I had registered on
his brain. He was one of Those People.
So, my point, Readers, is that it’s necessary to imagine
yourself using your talents and skills for work you want to do, and it’s important to help
others imagine these things for themselves. Not unrealistic things. Realistic
things. Who’s to say what’s unrealistic? That’s where imagination kicks in –
imagining seemingly out-of-reach places reachable. Like taking advantage of an
in at The New Yorker to explore how you might fit there. If it’s too late for
you, then do it for your kids, or for your niece. Do it for your mentees. You
might help shape the next Martha Stewart – or, if that gives you the
heebie-jeebies, the next Louis Menand. You want people to believe you could be
a contendah, and you gotta do that for them, too.
My friend has a doozie of a regret story. It also involves
The New Yorker. I won’t tell it here, because it’s her doozie. I’ll just say it
might beat mine.
*Martha on the best advice she ever received (in LinkedIn)
*Martha on the best advice she ever received (in LinkedIn)